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Rachel Maclean

Online broadcast on April 23, 2020 from 7 pm to 10 pm

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As part of the dv_vd screenings, Vidéographe and Dazibao are pleased to present two video works of the Scottish artist and filmmaker Rachel Maclean. This program comprises the feature-length film Make Me Up (2018) and the short Eyes 2 Me (2015). An interview with the artist, which was produced for her exhibition at the Kunsthalle Kiel museum (Germany), will introduce this program.

Think YouTube aesthetic meets Matthew Barney meets Charles Dickens: the darkly comedic work of Rachel Maclean explores social roles, feminine identity, and the influence of the media in contemporary Britain. The over-the-top aesthetic of her costumes, make-up and vividly colored digital environments is cut through with an unwavering insight into the pitfalls of today’s image culture. An outstanding performer, Maclean plays all the roles in the majority of her videos.


Eyes 2 Me (2015)
UK, 3 min., digital video

Eyes 2 Me follows a doll-like protagonist named Sophie who moves through an enchanted garden inhabited by a race of cuddly Cyclopes known as the Eeblebops. As the video shifts between different formats (a children’s television programme, a fashion shoot and a probing interview), Sophie is surveyed, coerced and reprimanded by an omnipresent male voiceover, whose treatment of her moves from a tone of benign paternal care to one of cold, militant disapproval.

Shot entirely using green-screen, Maclean is the only figure in the work, miming to recorded audio and warping her features to create uncanny, cartoonish characters that exist within an oversaturated digital world.

Commissioned by Film London for Channel 4 Random Acts

Make Me Up (2018)
UK, 84 min., digital video

This darkly-comic film takes a satirical look at the contradictory pressures faced by women today. It examines how television and social media can be fun and expressive spaces to explore identity, but simultaneously a gilded prison that encourages women to conform to strict beauty ideals.

Siri wakes to find herself trapped inside a brutalist candy-coloured dream house. Despite the cutesy decor, the place is far from benign, and she and her inmates are encouraged to compete for survival while being watched over by surveillance cameras, 24/7.

Presiding over the group is an authoritarian diva who speaks entirely with the voice of Kenneth Clark from the 1960s BBC series Civilisation. As she forces the women to go head-to-head in a series of demeaning tasks, Siri, with the help of fellow inmate Alexa, starts subverting the rules and soon reveals the sinister truth that underpins their world. makemeupfilm.com

Produced by Hopscotch Films with NVA, Commissioned by the BBC, Creative Scotland and 14-18 NOW: WW1 Centenary Art Commissions, supported by Jerwood Charitable Foundation, the National Lottery through the Heritage Lottery Fund, and by the Department of Digital, Culture Media and Sport. Make Me Up is part of Represent, a series of works inspired by the Representation of the Peoples Act 1918.

Rachel Maclean, born in Edinburgh (1987), is a multi-media artist. Using film and photography, she creates outlandish characters and colorful fantasy worlds which she uses to build a vivid criticism of our society. Wearing colourful costumes and make-up, Maclean takes on almost every role in her films herself. She uses computer technology to generate her locations, and borrows audio from television and cinema to construct narratives with a comedic touch. Rachel Maclean has had many solo exhibitions in London, Edinburgh, Nottingham and places abroad such as Germany, Russia and others. In 2013, she received the Margaret Tait Award for her contribution to Glasgow Film Festival and was shortlisted for the Film London Jarman Award. Rachel Maclean was also selected to represent Scotland in Venice at the 57th International Art Exhibition of the Venice Biennale in 2017. She lives and works in Glasgow. rachelmaclean.com


 


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Session 24

Hilary Bergen

Text available online as of April 30, 2020

Hilary Bergen’s Session offers a response to the work of Rachel Maclean and a meditation on the gesture of making.


 

Dazibao thanks the artist and Vidéographe for their generous collaboration as well as its advisory programming committee for its support.

Dazibao receives financial support from the Conseil des arts et des lettres du Québec, the Canada Council for the Arts, the Conseil des arts de Montréal, the Ministère de la Culture et des Communications and the Ville de Montréal.

Dazibao acknowledges that we are located on unceded territory of the Kanien'kehá: ka Nation and that Tiohtiá: ke / Montreal is historically known as a gathering place for many First Nations, and today, is home to a diverse population of Indigenous as well as other peoples.