Opening on February 9 at 6 pm

Production-dissemination residency in collaboration with PRIM

Fragmentary and intentionally enigmatic in its form, Song Circle offers a collection of vignettes, of tableaux where the quest for meaning competes with emotion’s immediacy. A subtle melancholy surfaces, related to solitude and to the pervasive sensation that comes with incessantly seeking out the other, which will invariably lead us back to our own feelings of confusion.

This emotion, at times, distilled in crescendos, other times entirely withheld, proffers a dreamlike narrative diffracted between the real and the imaginary, between a mental projection and the image projected. At times, the past is conjugated into the present or is tuned to the unfathomable time called the future. Strange but familiar, the visited places seem unchanging, the living unreachable, introspective, or absorbed in gestures that attest to their presence in the world. 

A visual chorale, Song Circle is crosscut with synaptic sound. The musical score is a protagonist, embodied as much by the instruments as by the musicians. Meticulously deconstructed to infiltrate and even dominate the ambient sounds, music brings friction between those spaces and times which ignore each other, enabling furtive encounters, bringing people together with no other purpose than the passage of time kept in beat by the metronome. 

Song Circle goes everywhere, except in a straight line. Its convolutions, like circles in the water, echo without ever touching, listening to better see and looking without hearing, all in an infinite loop. From such ellipses emerges a work of profound humanity, from which no one will retain quite the same thing. Alone, together. — F.C.