kimura byol-nathalie lemoine’s exhibition is a vast survey of works and archives organized around a timeline of the artist’s life. Numerous videos, employing an expansive spectrum of tones and approaches, offer personalized counterpoints to a documented history of international adoption policies or South Korea’s propagandist reintegration curriculum.

While Marion Lessard’s Doublures might appear to be drawing on the canonical Vertigo, mainly for themes such as the double and the sensation of disequilibrium to which it gives rise, it is also a work that brings out the motif of an almost telescopic artistic process in which nothing is more plausible than the implausible and where the concept of the author is unremittingly shaken.