As if on the periphery of the gaze, because often what commands our attention is located outside the frame, the work of Ismaïl Bahri, James Benning, Ralitsa Doncheva and Miriam Sampaio carefully documents the occupation of a site which, for reasons both personal and political, is the only witness, even the sole legatee, of past or future events, giving form to an exile either desired or imposed, permanent or temporary.